ARC News - Jazz Pianist, Sumi Tonooka's "Long Ago Today" voted as one of Jazz Improv NY Magazine’s Top Jazz CDs of 2008!
posted November 17
Jazz Pianist, Sumi Tonooka's "Long Ago Today" voted as one of Jazz Improv NY Magazine’s Top Jazz CDs of 2008!
We are pleased to announce ARC has been made aware that Eric Nemeyer, the Publisher of Jazz Improv, sent his personal congratulations on November 12, to inform Sumi Tonooka that her CD - Long Ago Today - has been voted as one of Jazz Improv NY Magazine’s Top Jazz CDs of 2008. The complete list will be published in the December Holiday Gift issue.
Jazz Improv Magazine has developed into arguably the most comprehensive musical publication dealing primarily with Jazz and creative music research and production. In addition to subscriptions, 29,000 copies of Jazz Improv NY Magazine will be distributed around the metropolitan area and 35,000 more jazz fans from around the USA and around the world typically download the digital edition each month from their website. See: http://www.JazzImprov.com to DOWNLOAD your complimentary copy of Jazz Improv NY Magazine every month.
The debut release on the Artists Recording Collective (ARC) label, "Long Ago Today" has been critically acclaimed by professional music critics and reviewers. The success of "Long Ago Today" is amplified by the positive reception the music received during the campaign from radio programmers across the country and the constant presence in the upper echelon of the JazzWeek radio charts. "Long Ago Today" is among the fresh new label releases from ARC that have also been entered into consideration for Grammy Award Nomination selection.
PRESS QUOTES AND PROFESSIONAL REVIEWS
"Her best to date, and a highly recommended recording, it seems Tonooka is still tapping potential while refining her search techniques on this very satisfying and enjoyable effort."
- Michael G. Nastos, **** 4 STARS - All Music Guide
"Tonooka's music is beautifully conceived and enthralling; a constant joy that will hopefully be followed up more often."
- Jerry D'Souza, All About Jazz
"... she plays with a mature and entirely personal style that makes her a contender for the ranks of today's jazz piano elite."
- Jeff Dayton-Johnson, All About Jazz
"Her compositions are like the fourth player in the room; they veer into unusual patterns and give everyone something challenging. Tonooka tames them, though, making them sound flowing and of one piece."
- Karl Stark, PHILADELPHIA INQUIRER
"****"....every single track on the date has something special about it and its really worth trying to get a copy on the internet. UNRESERVEDLY RECOMMENDED"
- Tony Hall****4 STARS, jazzwise magazine (UK)
"...her assets are speed, power, and harmonic and rhythmic ingenuity, the track "Quantum Question" proves that at her best she can knock you down and run you over."
- Thomas Conrad, Jazz Times
"Sumi creates a kaleidoscope of timbres & textures in her delivery, as well as a true jazz idiom sensibility with her impressionistic style. She also brings an 'original' voice to piano jazz with her obvious paranormal pianistic skills, thus complementing the art of jazz piano in general. Bravo Sumi!"
- George W Carroll, The Musicians' Ombudsman (eJazzNews)
"Tonooka has been applauded for being a force of nature on the piano by aficionados of her work, and she still is with the compositions on Long Ago Today. The way her piano rings communicate with the bass pulls and delicate drum shuffles is inviting. "
- Susan Frances , JAZZ REVIEW
"All originals, except for one Cole Porter tune. State of the art postbop, hard for me to nail down, but I'm impressed with how the pieces build and move. B+(***) "
- Tom Hull, Jazz Consumer Guide
"She teams with Rufus Reid on bass, who she has played with since her debut in 1986, and Bob Braye, who passed away shortly after this recording, but it’s Tonooka’s command of the keyboard that keeps this interesting throughout. The same can be said of her compositions. "
- Kyle O'Brien, Jazz Society of Oregon
"Tonooka is also flexible enough to engage in three-way dialogue if that's the way a performance unfolds. Nothing outre - just an exceptional player doing her thing well.(****)"
- RAY COMISKEY, THE IRISH TIMES
"Congratulations! Your CD - Long Ago Today - has been voted as one of Jazz Improv NY Magazine’s Top Jazz CDs of 2008."
- Eric Nemeyer, Publisher, Jazz Improv
LISTEN TO THE MUSIC ON "LONG AGO TODAY" NOW...
Sumi Tonooka – Long Ago Today
© 2008 sutoba-(SESAC) (ARC-2116)
A standout jazz trio recording highlighting "provocative and compelling music" New York Times , "Long Ago Today" is music from the heart that pulls you in and makes you want to stay, featuring original compositions by Sumi Tonooka with Bob Braye (drums) and Rufus Reid (bass).
LINER NOTES - LONG AGO TODAY By SUMI TONOOKA
It seems so long ago today since I first encountered Sumi Tonooka and became aware of her marvelous musicianship. It was in fact nearly thirty years ago that I initially heard her playing in Philly Joe Jones' quartet and was impressed by the then nineteen year old pianist's flawless technique, but it wasn't until later, upon hearing her fronting her own group, that the true depth of her burgeoning ability as a bandleader and composer became apparent. In the three decades since, it has been a distinct pleasure to hear her more than live up to the promise of her early years and blossom into one of the most distinctively talented musicians of her generation.
On Long Ago Today, her fifth date as a leader, Sumi shows just how much her talent has grown in the years since she first began making a name for herself in her native Philadelphia. Her formidable technical abilities, forged through years of study with some of the music's finest teachers, including Madame Margaret Chaloff and Mary Lou Williams, have increased to the level of genuine virtuosity, which she displays judiciously throughout the date. More importantly, her compositional skills have also developed and the nine satisfying originals here, each one with its own story to tell, reveal her to be one of finest creators of memorable melodies in jazz today.
Sumi notes that her tunes “are not very typical harmonically,” which is one of the main reasons the master musician Rufus Reid has been her bassist of choice for all of her recordings as a leader. “He has a very open approach in dealing with the changes,” she says. “It just works when we play together. There's this chemistry. He has always had a sound but now it's even bigger and better. Rufus is truly creative and spontaneous. He has a great sense of humor that comes out in his playing and great love for the music. And like all great musicians he is a great listener and really supports the music.”
Filling out the trio is Bob Braye, a veteran drummer who, despite an impressive resume including stints with Thelonious Monk, Charlie Rouse, Jackie McLean, Pharoah Sanders, Wayne Shorter, Lee Morgan, Freddie Hubbard, Blue Mitchell, Woody Shaw, Abbey Lincoln, Gloria Lynn, Nancy Wilson, Larry Gales, Horace Tapscott and many more, remains relatively unknown. Sumi met Bob through her friend, the wonderful tenor saxophonist Erica Lindsay. “She had been gently suggesting that he would be a good drummer for me to check out,” the pianist recalls. “The first time we played together, I remember having so much fun and getting it -- that this was a world class musician. He has a great feel and doesn't have to play a lot to get that across. Bob's beat is real wide. His style is supportive, expressive and explosive and he has a beautiful drum sound. He's all ears -- right there with the music as it is happening.”
Sumi composed the date's opening track, the vibrant Be The Dance, the week before the date knowing that she was going to record with Rufus and Bob. She says, ”It was really composed with Bob Braye in mind. I wanted to have a tune that would embrace his style of playing, something that he could just romp and play freely through. It's a celebratory 6/8 swing, with the melody primarily in the bass. The bass line just kind of came out at me and I could hear Rufus playing this, with more than one or two raised eyebrows.”
Cole Porter's All of You, the date's lone standard, has long been one of Sumi's favorites. “The arrangement came through a lot of trial and error and just playing it a lot,” the pianist says. “It's one of those tunes that keeps evolving. It's at this place now for me, but it keeps changing and I still want to play it a lot more.” Sumi's improvised introduction reveals her intimate knowledge of the classic composition; while the trio's seamless segue into the melody unmistakably displays the intuitive empathy among the three players.
The Clinging is a tune taken from a collection of compositions that Sumi composed combining Taiko drums with a jazz ensemble. She explains, “The music was inspired by the I Ching, the Chinese book of philosophy based on nature in its various forms. The Clinging has to do with the darker but also invigorating and active aspects of nature.” On this trio performance the piece takes on a more swinging straight ahead jazz temperament, propelled by Braye's invigorating drumming.
The eastern influence on Sumi's music is more clearly evident in the melody of Dreaming of Tibet, a composition based on a dream Sumi had about walking in Ancient Tibet. The tune's 5/4 meter and deliberate tempo inform it with a trancelike character appropriate to its inspiration.
Quantum Question is the second piece that was composed specifically for this date. It's dedicated to Sum's recently departed father, who she says, “spent forty years of his life working on a treatise that he entitled Scientific Cosmism, his theory on the beginning of the universe.” The powerful tune is primarily free, with a form and structure that moves in an open way reminiscent of the work of the late Mal Waldron.
The title track, Long Ago Today, is also informed by Sumi's loss of her father, as well as her mother, a remarkably hip woman who I had the great pleasure of knowing, in the past few years. “It's about a feeling of longing and nostalgia, but not getting lost in it,” she says. “Being clear and present with it, letting the past take you forward by ultimately letting go, but not forgetting.” The thoughtful piece sensitively conveys the wisdom of her feelings.
Renewal is a tune composed by Sumi for her two good friends Erica Lindsay and Francesca Tanksley. She explains, “The three of us had a support group for a while where they helped each other deal with seeing creative projects through and dealing with issues around creativity etc. This tune sprang forth from that experience.”
Sumi credits another close friend, Ghanaian master hand drummer and percussionist Joachim Lartey, as the inspiration for Moroccan Daze. " I learned this Morrocan drum rhythm from Joachim and have him to thank for teaching it to me and for some very inspirational drumming sessions/lessons which provided the seed of the idea for this composition.This piece starts in seven and then releases into 3. We learned the rhythm by speaking it first. ‘Ta ki Ta ki Gam a Da,' which immediately puts the emphasis or accents in the right place, and rises above the analytical approach.”
Just For Now was written several years ago by Sumi while in Kenny Barron's studio at Rutgers University, where she would often substitute teach for the piano master. Sumi credits Kenny as a “close friend and mentor to whom I owe many thanks to for his quiet but firm support over the years.” That support importantly included the release of Sumi's second cd, Secret Places, on his own JoKen label. The music here confirms Barron's faith in her.
The concluding Nami's Song was written by Sumi for her 12 year old daughter Nami, who, according to her mother, has a very melodic and wonderful presence. “She is very upbeat so I'm not sure why this came out as a ballad, but the composing process is just plain mysterious.”
The music world is full of mysteries. One of them is why it's been more than ten years since Sumi Tonooka's last recording as a leader. During that period she has recorded a collaboration with fellow Philadelphian, violinist John Blake, colead a quartet with Erica Lindsay, scored music for numerous films and, most importantly, continued to hone her considerable skills as a pianist and a composer, as is noticeably evident on this long overdue disc. Sumi remains philosophical when considering her lack of widespread recognition, exhibiting the same optimistic outlook she displayed when I first met her long ago. What has changed is that she has now proven that she is one of the finest pianists in jazz today.
New York City
VIST THE ARTISTS RECORDING COLLECTIVE (ARC) ONLINE AT: